Business title: Theatre of Black Ladies
Founders: Bernardine Evaristo, Patricia Hilaire, Paulette Randall
Explanation: The company founders met at Rose Bruford university, section of an intake that is unusually high of pupils. In their studies they performed programs at Oval House: Prejudice with Patricia Hilaire, Paulette Randall, Robert western, Joan Williams, assisted by Siobhan Lennon and David Sulkin and Coping directed by Yvonne Brewster which involved five women that are black Rose Bruford university and ‘explored the connection between black colored ladies and black colored guys in England’. The latter show ended up being developed by and researched with black colored audiences, both 1980. All 1983) through their collaboration on final projects and involvement with the Royal Court’s Writers’ Workshops, where Randall’s Fishing and Hilaire’s Just Another Day were produced as part of the Young Writers’ Festival 1982, they formed a company first to re-stage the one-woman shows they had devised, for a wider audience: Chameleon (Randall ), Hey Brown Girl (Hilaire), Tiger, Teeth Clenched Not To Bite ( Evaristo. Paulette Randall later on withdrew through the business and went on to direct extensively in black colored theater including with Temba, Nitro/ Ebony Theatre Co-op as well as on a freelance foundation, particularly the work of Wilson august.
Present status: Disbanded.
Policy: To explore the ability of black colored ladies. ‘Theatre is really a mode that is powerful of and Theatre of Ebony ladies may be the only permanent Black women’s theatre business in Britain. As such we concern ourselves with problems such as for instance Ebony ladies in training, wellness housing, feminism ever sold as well as in the Arts. Our theatre is all about the everyday lives and battles of black colored females and offers an opportunity for Ebony women’s sounds to positively be heard through theater. We utilize theater to market good and encouraging pictures of black colored women as people, examining and re-defining relationships with guys, residing separate life, offering and getting help from other Ebony females, discovering their very own Ebony identification, celebrating their Ebony womanhood’ (1985).